Apex Rated NC-17 Disclaimer: don't own them, not profiting By syn_tax6@yahoo.com The first time he kisses her, he feels sixteen again with weak knees and sweaty palms, standing on her parents' porch instead of a hospital waiting room on New Year's Eve. He can hardly believe he's doing this out in the open where anyone might see, where ER security cameras are no doubt capturing the moment for all eternity. He imagines if anyone bothers to check the tape they will see him bending awkwardly, his head stretching like a turtle from his scarred neck until his lips find her face. His eyes are closed so he can't see her reaction, can only feel her posture softening and smell the antiseptic on her skin. He clenches his hands against his jeans and remembers not to grab her. When he pulls away her eyes are dark, pupils dilated from fatigue, pain medication and some emotion he can't quite read. He smiles, thinking she might mirror him, but she is slow to answer. Later he will think back on her tinge of sadness and realize its significance, but for now, he is glad just to have Made The First Move. He has not planned past this moment because he'd never thought it would actually arrive. January first has brought them a wealth of new possibilities, and he has three hundred and sixty-four left on the tab. "Happy new year," she says. He has just the one good arm left, but as always, the best of him belongs to her. He rests his uninjured arm across her shoulders as they leave together, both of them testing the weight. * * * * His mother has a china vase that is square at the bottom and round at the top, white with delicate blue flowers on it. He and his sister broke it playing tag in the house many years ago, but he can still bring back the terrible sound of it hitting the floor and cracking. Part of the base chipped clean off, leaving a gaping hole. His father had a basement workshop where he'd glued the vase together again, and you couldn't even see the cracks if you looked at it just from the front. But it never again held water. Only fake silk flowers that didn't change once in twenty-five years. He thinks of this vase as she sits with him in shadowed apartment with nothing to distract them. The TV and radio are silent and there are no case files fanned across the table. She is telling him about her cracks, the ones he couldn't see, not even when she stood right in front of him. Her eyes are downcast and her hands are small and white in her lap as she confesses this thing that she never wanted to tell him. She can't have sex. Maybe. She hasn't tried in a long time now, but she's afraid it's still a problem, that in fact it is her fear that is the problem. She doesn't know how it happened. She doesn't understand herself why seven years of serial killers and gunshot wounds and missing time have translated into an inability to relax enough for sex. All she knows is that her body takes sexual energy and channels it as fight or flight. Her voice is hoarse, tired. Clearly she has been fighting this battle inside for a long time and he never knew it. She can't even look at him. "I know it's all in the past, these things that have happened to me," she says. "I can't seem to leave them behind. Every time I think I've put them by the side of the road, I just find myself carrying them again." He holds her against him and she doesn't fight it. She sags in his arms, exhausted from the weight of her terrible secret. He wonders about the men she's tested herself with before him, if they had taken care or if they hadn't recognized her fear. In his arms she is stiff as a board and light as a feather. He tries not to snap her in two. * * * * They are kissing for real on his sofa, his tongue in her mouth and his hand on her breast. Her nipple buds against his thumb as he eases her deeper into the cushions. Her nails are caught like claws in his shirtfront but she isn't pushing him away. He has an arm behind her neck and he can feel her pulse humming under the taut surface her skin. Just as he stars to sink into her, just as he starts to feel rather than monitor every second of the encounter, she pulls free with a gasp. She sits up, gripping the sofa edge as though it's keeping her from falling. Her eyes are wild and her skin is flushed. He worries she might throw up. "I'm sorry," she says. "I wish I wasn't like this." He doesn't like that she feels she has to apologize for herself, but right then, with his dick bulging against his zipper, he wishes the same thing. It's not easy to be patient, especially when he doesn't have any good idea of how to help her. It's just me, he wants to say to her until she gets it. Sometimes he can't understand. She has held his heart in her hands, this woman; she can't possibly be afraid of him. She is shaking when she tells him maybe they have made a mistake, that perhaps he should try to find someone less damaged than her. The word damaged snaps him back to the present because it is a word he knows well. He has heard it whispered behind his back a time or two, and occasionally inside his own head when the night's shadows overtook him. Damaged he knows. This is what he wants to make her see. They are both nicked up a bit but the gouges are perfectly aligned. Her hair has fallen over her face and she peers over at him with one watery blue eye, seeming resigned to his rejection. He brings her hand into his lap and holds it, telling her they can try again whenever she wants. He has waited many years for her, and he will keep waiting. * * * * They make love for the first time at her place, which he believes might help her feel more at ease. He has an advanced degree in psychology; he has studied post-traumatic stress reactions. He's just never taken them to bed. She is stiff but eager, meeting his kisses and helping him slide out of his clothes. The lamps are off at her request but a wide beam from outside cuts through the parted drapes, bathing them in white light. She reminds him of the nude marble statues he's seen in museums and he wants to put his hands all over her. He talks to her as he touches, keeping his chatter light and familiar. It's just me, he thinks, hoping she hears him and not the demons in her head. When he reaches between her legs, she stares at the ceiling and freezes under his exploration. He bits his tongue against the need to ask her if it's okay. He doesn't want to make her feel any more like a test subject than she already does, so he keeps his investigation silent. Only her low, ragged breathing fills the air as he strokes her quivering flesh. She is wet and he glories in it. You really want me, he thinks, enormously relieved. Part of him, his damaged secret place, had worried that she might feel affection for him but not desire, and had manufactured a psychiatric ailment to avoid having to say, "Mulder, I'm just not into you." But she is into him, and he's into her. He has one finger partway inside and she's hot and tight and he has to force himself to go slowly because it's been so very long since he's touched anyone this way. He probes around gently, testing her boundaries, and he finds a place that makes her catch her breath. He looks up quickly, trying to see her face to know whether this is a good or a bad thing, but her eyes are screwed shut and her fingers are scratching at the sheets. "Please," she says, "just do it." He'd wanted to wait, wanted to maybe give her an orgasm first because he's not making any promises over how long he might last. It took her weeks to get to this point, and he wants to at least make it good. He nudges his penis to her opening, sucking in his own breath at the contact but going no further for the moment. Her leg jerks up and she hits his hip with the inside of her knee. She apologizes and he can feel her willing the leg back down, forcing it into submission again. He leans down to kiss her, hoping to distract her as he begin to ease his way into her body. Her lips are soft but her jaw is tense. He caresses her face with one hand until she is kissing him back, her tongue sliding out to play with his. Below, her body joins him in an age-old dance. She takes him in with short, quick spasms. It is not an easy slide, and he is forced to wait between agonizing contractions, working his way past each defensive barrier. She has him in a fierce hug and she has pressed her hot forehead into curve of his neck. He is trying like hell not to ram it all in. Once he is all the way inside her, he can't believe how good it feels, how he could ever have forgotten this or believed anything in the world was more important. He explodes gloriously, his whole body shaking with the power of it, his mouth open in a silent scream against her shoulder. His teeth scrape her tender, salty skin, and he licks away the tiny indentations before rising back to look at her. Her eyelashes are fanned across her cheek, her face turned slightly away from him. He brushes back a sticky lock of her hair, and she twists, trying to get free from him. His heart sinks all the way to his belly as he obliges her, shifting until they become two people again. Apparently this was not the breakthrough he was hoping for. He asks if she's all right as she rolls to the edge of the mattress and curls into a ball. She hangs onto the ledge as if for dear life as she says, "I'm okay. I'm okay." He is not sure if she is talking to him or to herself. * * * * He thinks of her fear almost like a third person, a chaperone that is with them always. He tries to sneak off with Scully when the chaperone isn't looking. It's exhausting, frankly, and there are many nights he is just not up to the task. He has a degree in psychology. He understands that it's not about him, not really, but he can't help but feel wounded sometimes that she conflates him with the Donnie Pfasters of the world. But then he remembers that she's been chopped, slapped, pierced, kidnapped, shot, nearly killed and come alive again. It's a wonder she's out walking around like a human and not locked inside a padded cell. When he considers all of this, her secret fear doesn't seem so large, but he is forced to admit the weight of it is larger than he'd expected. They can't go back, even if he called it off now -- not that he wants to, of course -- but he will always be able to see the cracks in her now, just like the vase. He wonders how much of her confidence is for show, finds himself watching her out of the corner of his eye when they question killers or go in for the kill themselves. Sometimes he wishes he didn't know what he knows, but then he wouldn't know the soft skin at the backs of her knees or the way she sighs into his kiss when she's happy. Eventually she gets a prescription for an anxiolytic medication and things improve somewhat, although it is unnerving to have one's lover need drugs to be able to be able to go through with the act. Instead of little blue pills to arouse her body she has delicate white ones to quiet her mind, which she swallows twenty-odd minutes before they expect to Do It. She will get naked at his house now, which is progress, and he gets a secret thrill from the sight of her lacy clothes on his floor. The first time she comes, it takes him by surprise because it hasn't happened before and because it's in his bed. He has one arm crooked under her head and the other between her legs as she hitches one knee over his hip to give him access. They are kissing and rocking slowly together and he is stroking her hair in the same rhythm his hand pleasures her below. He is not thinking about anything except the feel of her mouth and the warmth between her thighs. He thinks it surprises her too as her eyes go wide and she clutches him suddenly as the orgasm begins. He wants to shout with joy but is afraid of ruining the moment, so he stays with her as best he can and buries his nose in her sweet-smelling hair. Her nails prick his back and he feels a dampness spreading across his shoulder. He asks he if she's all right. He can feel her heart hammering over his. Even as he asks, he half expects her to turn away. But she hugs him, curling closer, and nods into his neck. His erection is a bone of contention, pressing hotly against both their bellies, but he ignores its insistent throbbing for the moment. He is tight, filled to bursting, but it's his heart that aches the most. "I wish you could have known me before," she whispers, and then he is crying too. * * * * They are getting naughty on a red-eye back from California. For reasons known only to God and Skinner, they seem to have a ridiculous number of cases on the West Coast these days, racking up frequent flier miles like coins from a slot machine that hit the jackpot. There were cherries ringing up in Mulder's eyes as Scully groped him under the blanket. He could hardly believe she was the one who started this, leaning over to nibble his neck sometime after the lights went dim. If he didn't know better, he'd have thought she was turned on by the flight attendants' frank chatter a few rows up in front of them. The brunette with the curly hair and large breasts was confessing to fellatio in the airport's long-term parking lot, and her confidant wants every detail. Mulder and Scully are seated at the absolute back of this mammoth, nearly empty plane, behind the food and beverage area, behind even the bathrooms. Any further back and they would be riding the tailpipe. Scully actually is riding his tailpipe, as it were, half in his lap as her tongue traced a wet trail down his neck. He has his hands under her shirt and her bra undone, pleased he still recalls how these maneuvers went, considering it has been decades since he's felt up a woman in a semi-public place. Scully breasts nearly spring into his hands, nipples already swollen to the size of gumdrops. He is dizzy with lust, his dick hard enough to bang nails. The blanket slips to the floor and he doesn't even care. She is giving him the hand job of his life through his pants pocket, but when he reaches for the buttons on her slacks, she pulls away. "We can't do everything," she says, her eyes dark and her mouth shining. As she draws his head down to hers again, he understands at last. Here, with rules and boundaries, where intercourse is impossible, she is freed. The chaperone is passed out drunk or maybe just dead asleep because it's after three in the morning. What the hell, he thinks, and presses Scully into the side of the plane, low in their seats away from any curious eyes. She rubs her hot little body against him, her tongue poking in and out of his mouth. His ears burn and his pants are on way too tight. The sound of his zipper going down seems overloud and he almost jerks away. "Shh," she says, her hand slipping in again as his penis rises up to greet her. She has strong, nimble fingers and he is reduced to wheezing, his face mashed against an airline seat cushion while she brings him off in her hand. After, she cleans him up and kisses him once on the tip of the nose. Then she dozes in the circle of his arms while he raises the window shade and watches the twinkling lights from the passing cities below. * * * * On a Sunday morning he wakes to bright sunshine and the white sheets of her bed tangled around his waist. She is not there, so he goes in search and finds her on the sofa, wearing a fluffy robe and bunny slippers. She has the Times crossword puzzle in her lap and the end of a pen in her mouth as she works out the clues. He asks how it's going as he slides in next to her, peering over her shoulder at the black-and-white print. He is better at these mind teasers than she is because his mind can go backwards and forwards at the same time. Crossword clues, especially the hard ones, often requiring seeing two things simultaneously, and as beautiful as Scully's eyes are, she can only see one thing at once. Sometimes this is a blessing, but not when you're trying to ferret out the Sunday Times. He doesn't offer help unless she asks, but she leans her head back against him and takes the pen from her lips. "This one is impossible," she says. "The clue is, 'it's a topping to kiss a monkey.' Four letters." Just the word 'kiss' makes him press his lips to her head; he is worse than Pavlov's dogs in this regard. But even as he loops his arms around her waist, his brain is sifting through the many possible meanings, rejecting each one until it arrives at what has to be the answer. He grins. It is such a satisfying result that he gives her a squeeze. "What?" she asks, turning in his embrace to frown at him. He tells her the answer: a topping to kiss a monkey -- apex. She laughs as she writes it in, pleased with the clue and pleased with him. He loves that he can still turn her on with his huge brain. And she is turned on. She crawls up in his lap, facing him, and takes his head between her hands. She holds him at just the right angle to ravish his mouth totally. He tugs open the sash on her robe even as she gives him his own private lap dance. To his delight, she is naked beneath, and he runs his palms over every part of her. The robe forms a curtain on either side, making their love-play feel more intimate. He gives her soft kisses and slow kisses. He finds the warm, fragrant spot between her legs and slips two fingers in her. She rides his hand in a languid rhythm, her eyes falling shut and her teeth just catching on her lip. When she comes she gives a startled cry before falling forward in his arms. She trusts that he is there to catch her. He wiggles out of his boxers and she moves again so that they can find the right angle. Her forehead rests against his and her arms wrap around his neck. He forced his eyes open to watch, and for a few moments, he is captivated by the sight of his penis sliding in and out of her. But then he feels the huff of her breath on his cheek, and he raises his gaze until he meets those amazing eyes. They watch each other and finally, amazingly, she smiles, and that smile is his undoing, at last. * * * * End